displaying: http://feeds.feedburner.com/wikileaksisdemocracy/Vgoq

wikileaksisdemocracy
The Suicide Squad?s Thinker Is Different From Movie Version In BTS Image
Focus Features president Robert Walak stepping down | News
Review: The hole in the head
A controversial Netflix original returns with new episodes next month ? EzAnime.net
Kaley Cuoco, excited after her first Golden Globe nomination
?Ghostbusters: Beyond? launches new trailer full of winks to the original film and with a stellar moment
October 22, 2021
Oscar Nominees 2018 Best Supporting Actor: Favorite Sam Rockwell
What Hugh Jackman?s Wolverine Casting Taught Kevin Feige
?Candyman? receives potent update | The Pacer

MagpieRSS Object
(
    [parser] => Resource id #8
    [current_item] => Array
        (
        )

    [items] => Array
        (
            [0] => Array
                (
                    [title] => The Suicide Squad?s Thinker Is Different From Movie Version In BTS Image
                    [link] => https://wikileaksisdemocracy.org/the-suicide-squads-thinker-is-different-from-movie-version-in-bts-image/
                    [dc] => Array
                        (
                            [creator] => Susan Paul
                        )

                    [pubdate] => Fri, 22 Oct 2021 03:40:08 +0000
                    [category] => Movie NewsBTSimagemovieSquadsSuicideThinkerVersion
                    [guid] => https://wikileaksisdemocracy.org/the-suicide-squads-thinker-is-different-from-movie-version-in-bts-image/
                    [description] => Super observant Suicide Squad fans are encouraged to spot the differences between the Thinker’s first screen test and his final onscreen appearance. James Gunn shares a new behind the scenes peek at The Suicide Squad‘s Thinker, who looks a bit different than he does in the final movie. Peter Capaldi’s Thinker is just one of ... Read more
                    [content] => Array
                        (
                            [encoded] => 

Super observant Suicide Squad fans are encouraged to spot the differences between the Thinker’s first screen test and his final onscreen appearance.

James Gunn shares a new behind the scenes peek at The Suicide Squad‘s Thinker, who looks a bit different than he does in the final movie. Peter Capaldi’s Thinker is just one of the many eccentric characters who populate The Suicide Squad, Gunn’s first DCEU feature. Released back in August in theaters and on HBO Max, the blood-soaked R-rated adventure was seen as a breath of fresh air for fans and critics, though it didn’t make as strong of an impression at the box office. Nevertheless, Gunn remains in business with DC and is currently preparing for the January debut of Suicide Squad spin-off series Peacemaker.

The Suicide Squad was billed as a semi-reboot, semi-sequel to the DCEU’s 2016 movie of a similar name. This time, a new Task Force X is sent on a mission to the fictional island of Corto Maltese, which served as the home for Nazi-era lab Jotunheim and its mysterious Project Starfish. While most members of Task Force X were largely used as cannon fodder, a smaller team sought out the mind behind Project Starfish, Thinker, to infiltrate the lab and shut it down once and for all.

Related: Suicide Squad 3 News & Updates: Everything We Know

Gunn is known for sharing fun behind the scenes looks at his movies, and on Thursday, he shared a shot from Capaldi’s first screen test for The Suicide Squad. In the image, Capaldi is shrugging on a nice dress jacket and already has his many “upgrades” (per Gunn’s caption) on his head. According to Gunn, “The careful observer will notice that the wires & the sizes & shapes” of said upgrades are actually different than the ones that appear in the final cut. Check out the picture down below.

Click here to see the original post.

It really will take a very careful observer to find the minute differences between the above Thinker and the one in the movie. Clothing choices aside, the Thinker’s appendages from Capaldi’s screen test seem fairly close to those that ended up in the finished product, but some minor adjustments were still made between this image and filming. The Suicide Squad moves at such a fast pace that fans trying to spot the differences might have a hard time, but it could be worth a shot.

Thanks to Project Starfish’s prized subject, Starro, the Thinker didn’t exactly get a positive end in The Suicide Squad. Nevertheless, it was fun to see the former Doctor Who star play supervillain for a bit, and it’s cool to get a behind the scenes look at his development. The Suicide Squad featured plenty of intriguing characters with unique costumes and appearances, but Thinker, with the upgrades on his head, has to be among the most memorable when it comes to his overall look. The new image only hammers that home in a major way.

More: The Suicide Squad Shows How The DCEU Is Avoiding The MCU’s Limitations

Source: James Gunn/Twitter

  • The Batman (2022)Release date: Mar 04, 2022
  • DC League of Super-Pets (2022)Release date: May 20, 2022
  • Black Adam (2022)Release date: Jul 29, 2022
  • The Flash (2022)Release date: Nov 04, 2022
  • Aquaman and the Lost Kingdom (2022)Release date: Dec 16, 2022
  • Shazam! Fury of the Gods (2023)Release date: Jun 02, 2023

Upcoming Release Dates Movies Marvel Cinematic Universe MCU

Every Upcoming Marvel Movie Release Date (2021 To 2023)


About The Author

Many Thanks To The following Website For This Valuable Content.
The Suicide Squad?s Thinker Is Different From Movie Version In BTS Image

) [summary] => Super observant Suicide Squad fans are encouraged to spot the differences between the Thinker’s first screen test and his final onscreen appearance. James Gunn shares a new behind the scenes peek at The Suicide Squad‘s Thinker, who looks a bit different than he does in the final movie. Peter Capaldi’s Thinker is just one of ... Read more [atom_content] =>

Super observant Suicide Squad fans are encouraged to spot the differences between the Thinker’s first screen test and his final onscreen appearance.

James Gunn shares a new behind the scenes peek at The Suicide Squad‘s Thinker, who looks a bit different than he does in the final movie. Peter Capaldi’s Thinker is just one of the many eccentric characters who populate The Suicide Squad, Gunn’s first DCEU feature. Released back in August in theaters and on HBO Max, the blood-soaked R-rated adventure was seen as a breath of fresh air for fans and critics, though it didn’t make as strong of an impression at the box office. Nevertheless, Gunn remains in business with DC and is currently preparing for the January debut of Suicide Squad spin-off series Peacemaker.

The Suicide Squad was billed as a semi-reboot, semi-sequel to the DCEU’s 2016 movie of a similar name. This time, a new Task Force X is sent on a mission to the fictional island of Corto Maltese, which served as the home for Nazi-era lab Jotunheim and its mysterious Project Starfish. While most members of Task Force X were largely used as cannon fodder, a smaller team sought out the mind behind Project Starfish, Thinker, to infiltrate the lab and shut it down once and for all.

Related: Suicide Squad 3 News & Updates: Everything We Know

Gunn is known for sharing fun behind the scenes looks at his movies, and on Thursday, he shared a shot from Capaldi’s first screen test for The Suicide Squad. In the image, Capaldi is shrugging on a nice dress jacket and already has his many “upgrades” (per Gunn’s caption) on his head. According to Gunn, “The careful observer will notice that the wires & the sizes & shapes” of said upgrades are actually different than the ones that appear in the final cut. Check out the picture down below.

Click here to see the original post.

It really will take a very careful observer to find the minute differences between the above Thinker and the one in the movie. Clothing choices aside, the Thinker’s appendages from Capaldi’s screen test seem fairly close to those that ended up in the finished product, but some minor adjustments were still made between this image and filming. The Suicide Squad moves at such a fast pace that fans trying to spot the differences might have a hard time, but it could be worth a shot.

Thanks to Project Starfish’s prized subject, Starro, the Thinker didn’t exactly get a positive end in The Suicide Squad. Nevertheless, it was fun to see the former Doctor Who star play supervillain for a bit, and it’s cool to get a behind the scenes look at his development. The Suicide Squad featured plenty of intriguing characters with unique costumes and appearances, but Thinker, with the upgrades on his head, has to be among the most memorable when it comes to his overall look. The new image only hammers that home in a major way.

More: The Suicide Squad Shows How The DCEU Is Avoiding The MCU’s Limitations

Source: James Gunn/Twitter

  • The Batman (2022)Release date: Mar 04, 2022
  • DC League of Super-Pets (2022)Release date: May 20, 2022
  • Black Adam (2022)Release date: Jul 29, 2022
  • The Flash (2022)Release date: Nov 04, 2022
  • Aquaman and the Lost Kingdom (2022)Release date: Dec 16, 2022
  • Shazam! Fury of the Gods (2023)Release date: Jun 02, 2023

Upcoming Release Dates Movies Marvel Cinematic Universe MCU

Every Upcoming Marvel Movie Release Date (2021 To 2023)


About The Author

Many Thanks To The following Website For This Valuable Content.
The Suicide Squad?s Thinker Is Different From Movie Version In BTS Image

[date_timestamp] => 1634874008 ) [1] => Array ( [title] => Focus Features president Robert Walak stepping down | News [link] => https://wikileaksisdemocracy.org/focus-features-president-robert-walak-stepping-down-news/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:34:17 +0000 [category] => Movie Production CompaniesFeaturesFocusNewsPresidentRobertsteppingWalak [guid] => https://wikileaksisdemocracy.org/focus-features-president-robert-walak-stepping-down-news/ [description] => Focus Features president Robert Walak is stepping down and will remain in Los Angeles and move into an advisory role. It is understood there are no plans to replace the British executive, who will continue to work with the studio on projects he helped shepherd into development during his tenure. Focus Features leadership remains in ... Read more [content] => Array ( [encoded] =>

Focus Features president Robert Walak is stepping down and will remain in Los Angeles and move into an advisory role.

It is understood there are no plans to replace the British executive, who will continue to work with the studio on projects he helped shepherd into development during his tenure.

Focus Features leadership remains in place with chairman Peter Kujawski and vice-chairman Jason Cassidy. Focus executive Kiska Higgs will continue to oversee acquisitions and production operation.

Screen understands Walak had been discussing the amicable move internally for some months and plans to pursue other opportunities, and that it does not stem from last week?s announced round of redundancies at NBCUniversal, which will see just under 10% of Focus staff laid off in Los Angeles, New York and London offices.

Kujawski said, ?Personally, I have been incredibly lucky to work with someone who is not only a good friend, but a role model for excellent taste, know-how and commitment to the belief that great films can change the world.

?Collectively, we have all been incredibly lucky to work with an individual who prioritises colleagues and artists as people first and who shepherds projects and processes with a sense of empathy and joy that is as productive as it is infectious.?

Walak said, ?When we took over the leadership at Focus over four years ago we strove to create a home for top-class filmmakers to bring their distinctive stories to a global theatrical audience and we achieved that.

?I?m stepping down from my role knowing that Focus has one of the most exciting and diverse slates going forward. I?m excited to continue collaborating with Peter, Jason and the unmatched team at Focus in my new role and look forward to future projects.?

Walak became Focus president in early 2016 after the company merged with Universal Pictures International Productions, which the executive had joined in October 2015 as co-managing director alongside Kujawski.

During his tenure, the studio?s films have earned 28 Oscar nominations for films like Jeff Nichols? Loving, Joe Wright?s Darkest Hour, Paul Thomas Anderson?s Phantom Thread, Spike Lee?s BlacKkKlansman, and Kasi Lemmons? Harriet.

Walak champion Downton Abbey?s move to the big screen where it became the highest grossing film in Focus history, earning more than $192m worldwide.

Focus?s upcoming awards season slate includes Sundance and Berlin hit Never Rarely Sometimes Always, and Carey Mulligan revenge tale Promising Young Woman, which has not yet been dated but will get a push in the upcoming awards cycle. They are joined by the documentary about former chief official White House photographer Pete Souza, The Way I See It. It is uncertain at time of writing whether Tom McCarthy?s Stillwater starring Matt Damon will get an awards-qualifying release for this season.

Walak?s prior roles include TWC president and managing director Europe, production, acquisitions, and television, and senior vice-president, acquisitions and production at Alliance Films/Momentum Pictures.

Many Thanks To The following Website For This Valuable Content.
Focus Features president Robert Walak stepping down | News

) [summary] => Focus Features president Robert Walak is stepping down and will remain in Los Angeles and move into an advisory role. It is understood there are no plans to replace the British executive, who will continue to work with the studio on projects he helped shepherd into development during his tenure. Focus Features leadership remains in ... Read more [atom_content] =>

Focus Features president Robert Walak is stepping down and will remain in Los Angeles and move into an advisory role.

It is understood there are no plans to replace the British executive, who will continue to work with the studio on projects he helped shepherd into development during his tenure.

Focus Features leadership remains in place with chairman Peter Kujawski and vice-chairman Jason Cassidy. Focus executive Kiska Higgs will continue to oversee acquisitions and production operation.

Screen understands Walak had been discussing the amicable move internally for some months and plans to pursue other opportunities, and that it does not stem from last week?s announced round of redundancies at NBCUniversal, which will see just under 10% of Focus staff laid off in Los Angeles, New York and London offices.

Kujawski said, ?Personally, I have been incredibly lucky to work with someone who is not only a good friend, but a role model for excellent taste, know-how and commitment to the belief that great films can change the world.

?Collectively, we have all been incredibly lucky to work with an individual who prioritises colleagues and artists as people first and who shepherds projects and processes with a sense of empathy and joy that is as productive as it is infectious.?

Walak said, ?When we took over the leadership at Focus over four years ago we strove to create a home for top-class filmmakers to bring their distinctive stories to a global theatrical audience and we achieved that.

?I?m stepping down from my role knowing that Focus has one of the most exciting and diverse slates going forward. I?m excited to continue collaborating with Peter, Jason and the unmatched team at Focus in my new role and look forward to future projects.?

Walak became Focus president in early 2016 after the company merged with Universal Pictures International Productions, which the executive had joined in October 2015 as co-managing director alongside Kujawski.

During his tenure, the studio?s films have earned 28 Oscar nominations for films like Jeff Nichols? Loving, Joe Wright?s Darkest Hour, Paul Thomas Anderson?s Phantom Thread, Spike Lee?s BlacKkKlansman, and Kasi Lemmons? Harriet.

Walak champion Downton Abbey?s move to the big screen where it became the highest grossing film in Focus history, earning more than $192m worldwide.

Focus?s upcoming awards season slate includes Sundance and Berlin hit Never Rarely Sometimes Always, and Carey Mulligan revenge tale Promising Young Woman, which has not yet been dated but will get a push in the upcoming awards cycle. They are joined by the documentary about former chief official White House photographer Pete Souza, The Way I See It. It is uncertain at time of writing whether Tom McCarthy?s Stillwater starring Matt Damon will get an awards-qualifying release for this season.

Walak?s prior roles include TWC president and managing director Europe, production, acquisitions, and television, and senior vice-president, acquisitions and production at Alliance Films/Momentum Pictures.

Many Thanks To The following Website For This Valuable Content.
Focus Features president Robert Walak stepping down | News

[date_timestamp] => 1634873657 ) [2] => Array ( [title] => Review: The hole in the head [link] => https://wikileaksisdemocracy.org/review-the-hole-in-the-head/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:33:33 +0000 [category] => Movie Production CompaniesHolereview [guid] => https://wikileaksisdemocracy.org/review-the-hole-in-the-head/ [description] => 27/11/2020 – Through the story of a victim of terrorism, Antonio Capuano establishes a link between the political violence of the 1970s and the strain infecting society today Francesco Di Leva and Teresa Saponangelo in The hole in the head We?re in the Years of Lead in Italy, on 12 May 1977, when seventeen-year-old Giorgiana ... Read more [content] => Array ( [encoded] =>

– Through the story of a victim of terrorism, Antonio Capuano establishes a link between the political violence of the 1970s and the strain infecting society today

Francesco Di Leva and Teresa Saponangelo in The hole in the head

We?re in the Years of Lead in Italy, on 12 May 1977, when seventeen-year-old Giorgiana Masi is killed during a peaceful demonstration by radicals in Rome. Two days later, in Milan, the Movement organises a peaceful anti-government protest. At the top of via De Amicis, however, a group breaks away from the main body of the march and starts setting fire to cars. Next, twenty-one-year-old Mario Ferrandi pulls out a 7.65mm pistol and shoots in the direction of the police. Vice Deputy Sargent Antonio Custrà falls to the ground, hit in the forehead by a bullet. The son of farming folk who was born in Avellino, Custrà is barely twenty-five. He is recently married, and his wife is expecting a daughter he will never know. Ferrandi is arrested in London in 1981; he co-operates with the courts and is handed a sentence. He has now paid his debt to society. Ten years ago, Custrà?s daughter decided she wanted to meet Ferrandi. They visited via De Amicis together, standing beneath the plaque which commemorates her father?s death. Screening Out of Competition at the Torino Film Festival, Antonio Capuano?s The hole in the head [+see also:
trailer
film profile
]
explores this meeting and the consequences of Custrà?s murder from Antonia?s perspective, embarking upon a ?loose interpretation of real events?.

(The article continues below – Commercial information)

Played with great intensity by Teresa Saponangelo (the protagonist of Paolo Sorrentino?s upcoming film It was the hand of God), the daughter?s name in this instance is Maria, while her counterpart is called Guido, into whose uncomfortable shoes Tommaso Ragno steps. In reality, the Milan-based encounter between the two of them is the shortest part of the film, diluted, as it is, over the full duration of the film and interspersed with scenes from Maria?s day-to-day life in Torre del Greco (a district on the outskirts of Naples). Hers is a hollow life, spent hating the man who stole her father away from her before she even set foot in the world. Maria looks directly into the camera and introduces herself, before explaining what her days involve: staying at home with her mum (Vincenza Modica) who?s been destroyed by grief to the point she?s now incapable of speech; endlessly hunting for a stable job; working in the technical institute as an (unpaid) assistant to a professor who teaches kids how to work with natural materials, such as coral; in the consulting room of her psychologist, to whom she reveals her nightmares, fears and uncertainties; by the sea, where she finds a few moments of peace? But whilst Maria might struggle to feel emotions, she doesn?t have the same problems expressing her sensuality: to her friend Fabio (Francesco Di Leva, potentially the best in a new generation of Neapolitan actors), she describes herself as solid as a plant, ?except I don?t produce flowers or foliage?. Perhaps something is brewing between our protagonist and Fabio, behind the tough approach she takes towards her friend who teaches drama to kids hailing from peripheral neighbourhoods controlled by the Camorra, and who?s also involved with a community centre which fights on behalf of immigrants and factory workers.

Capuano films The hole in the head with the usual agonising attention he pays to life in the Italian South, revealing all the colours and shades of his unwaning social engagement. In an epilogue which leaves no room for optimism, Capuano establishes a link between the political violence of the Left, in the 1970s, against ?enemies of the people? and the violence infecting the social fabric of modern-day life, which is blighted by wrongdoing and by mafiosi groups, and against which countless people rise up and, occasionally, react.

The hole in the head is produced by Eskimo and RAI Cinema in association with Minerva Pictures and Mad Entertainment.

(The article continues below – Commercial information)

(Translated from Italian)

Many Thanks To The following Website For This Valuable Content.
Review: The hole in the head

) [summary] => 27/11/2020 – Through the story of a victim of terrorism, Antonio Capuano establishes a link between the political violence of the 1970s and the strain infecting society today Francesco Di Leva and Teresa Saponangelo in The hole in the head We?re in the Years of Lead in Italy, on 12 May 1977, when seventeen-year-old Giorgiana ... Read more [atom_content] =>

– Through the story of a victim of terrorism, Antonio Capuano establishes a link between the political violence of the 1970s and the strain infecting society today

Francesco Di Leva and Teresa Saponangelo in The hole in the head

We?re in the Years of Lead in Italy, on 12 May 1977, when seventeen-year-old Giorgiana Masi is killed during a peaceful demonstration by radicals in Rome. Two days later, in Milan, the Movement organises a peaceful anti-government protest. At the top of via De Amicis, however, a group breaks away from the main body of the march and starts setting fire to cars. Next, twenty-one-year-old Mario Ferrandi pulls out a 7.65mm pistol and shoots in the direction of the police. Vice Deputy Sargent Antonio Custrà falls to the ground, hit in the forehead by a bullet. The son of farming folk who was born in Avellino, Custrà is barely twenty-five. He is recently married, and his wife is expecting a daughter he will never know. Ferrandi is arrested in London in 1981; he co-operates with the courts and is handed a sentence. He has now paid his debt to society. Ten years ago, Custrà?s daughter decided she wanted to meet Ferrandi. They visited via De Amicis together, standing beneath the plaque which commemorates her father?s death. Screening Out of Competition at the Torino Film Festival, Antonio Capuano?s The hole in the head [+see also:
trailer
film profile
]
explores this meeting and the consequences of Custrà?s murder from Antonia?s perspective, embarking upon a ?loose interpretation of real events?.

(The article continues below – Commercial information)

Played with great intensity by Teresa Saponangelo (the protagonist of Paolo Sorrentino?s upcoming film It was the hand of God), the daughter?s name in this instance is Maria, while her counterpart is called Guido, into whose uncomfortable shoes Tommaso Ragno steps. In reality, the Milan-based encounter between the two of them is the shortest part of the film, diluted, as it is, over the full duration of the film and interspersed with scenes from Maria?s day-to-day life in Torre del Greco (a district on the outskirts of Naples). Hers is a hollow life, spent hating the man who stole her father away from her before she even set foot in the world. Maria looks directly into the camera and introduces herself, before explaining what her days involve: staying at home with her mum (Vincenza Modica) who?s been destroyed by grief to the point she?s now incapable of speech; endlessly hunting for a stable job; working in the technical institute as an (unpaid) assistant to a professor who teaches kids how to work with natural materials, such as coral; in the consulting room of her psychologist, to whom she reveals her nightmares, fears and uncertainties; by the sea, where she finds a few moments of peace? But whilst Maria might struggle to feel emotions, she doesn?t have the same problems expressing her sensuality: to her friend Fabio (Francesco Di Leva, potentially the best in a new generation of Neapolitan actors), she describes herself as solid as a plant, ?except I don?t produce flowers or foliage?. Perhaps something is brewing between our protagonist and Fabio, behind the tough approach she takes towards her friend who teaches drama to kids hailing from peripheral neighbourhoods controlled by the Camorra, and who?s also involved with a community centre which fights on behalf of immigrants and factory workers.

Capuano films The hole in the head with the usual agonising attention he pays to life in the Italian South, revealing all the colours and shades of his unwaning social engagement. In an epilogue which leaves no room for optimism, Capuano establishes a link between the political violence of the Left, in the 1970s, against ?enemies of the people? and the violence infecting the social fabric of modern-day life, which is blighted by wrongdoing and by mafiosi groups, and against which countless people rise up and, occasionally, react.

The hole in the head is produced by Eskimo and RAI Cinema in association with Minerva Pictures and Mad Entertainment.

(The article continues below – Commercial information)

(Translated from Italian)

Many Thanks To The following Website For This Valuable Content.
Review: The hole in the head

[date_timestamp] => 1634873613 ) [3] => Array ( [title] => A controversial Netflix original returns with new episodes next month ? EzAnime.net [link] => https://wikileaksisdemocracy.org/a-controversial-netflix-original-returns-with-new-episodes-next-month-ezanime-net/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:25:45 +0000 [category] => Movie Production CompaniesControversialepisodesEzAnimenetmonthNetflixOriginalreturns [guid] => https://wikileaksisdemocracy.org/a-controversial-netflix-original-returns-with-new-episodes-next-month-ezanime-net/ [description] => Netflix has set a premiere date for the return of new episodes in what has become one of the streamer’s most controversial original series this year. Director Kevin Smith’s new Masters of the Universe series will release five new episodes, lasting about half an hour each, in just over a month from now (November 23). ... Read more [content] => Array ( [encoded] =>

Netflix has set a premiere date for the return of new episodes in what has become one of the streamer’s most controversial original series this year. Director Kevin Smith’s new Masters of the Universe series will release five new episodes, lasting about half an hour each, in just over a month from now (November 23).

This is the second part of the Revelation series, which Smith took on with the task of picking up where the 1980s animated series He-Man and the Masters of the Universe left off. It should have been an easy project, thanks in part to residual nostalgia for the original. Unfortunately, this series has generated a great deal of controversy. It was criticized on Rotten Tomatoes (with an audience score of 39%, currently), although critics apparently love it. The series has a 94% critic score on the review site, currently. So what’s going on?

Masters of the Universe: Revelation part 2 ? próximamente en Netflix

First of all, this is what Netflix is ??saying about the new episodes coming in November. “The War for Eternia Continues in Part Two of Masters of the Universe: Revelation,” reads the official synopsis from the streamer. The show is ?an innovative, action-packed animated series that picks up where the iconic characters left off.

“With Skeletor now wielding the Sword of Power, the weary heroes of Eternia must unite to battle the forces of evil in a thrilling and epic conclusion to the two-part series.”

The show also features an impressive voice cast. Includes Mark Hamill as Skeletor; Lena Headey as Evil-Lyn; and Alicia Silverstone as Queen Marlena. Also in the mix is ??Justin Long, lending his voice to the character of Roboto. Additionally, Jason Mewes voices the villain Stinkor.

Part 1 of the series debuted on Netflix in July. ?Armed with an incredible voice cast,? reads the Rotten Tomatoes critics consensus, ?Revelation cleverly updates Masters of the Universe while preserving the quirky charms of the original to create a show that is sure to please fans and fans alike. new arrivals”.

You can’t please everyone

Bear McCreary, who composed the music for the show, echoed Smith’s tweet from above, promising top-notch action and story in upcoming episodes. “The next five episodes of #MastersOfTheUniverse #Revelation feature some of the best storytelling and action I’ve had the privilege of composing,” McCreary wrote. ?And the music is? pretty epic. Trust me, don’t miss out.

Still, one of the big complaints from the first installment of episodes? It was for the apparent murder of He-Man himself. One reviewer left the following complaint on Rotten Tomatoes: ?Terrible and terribly disappointing. He-Man completely removed from his own show and we are forced to follow an angry, bitter and fragile Teela and her girlfriend talking awkwardly and talking about feelings. It was a complete waste of time. “

We’ll have to wait and see if the next five episodes can redeem things. If the fans even give them a chance, that is.

Image Source: Netflix

Many Thanks To The following Website For This Valuable Content.
A controversial Netflix original returns with new episodes next month – EzAnime.net

) [summary] => Netflix has set a premiere date for the return of new episodes in what has become one of the streamer’s most controversial original series this year. Director Kevin Smith’s new Masters of the Universe series will release five new episodes, lasting about half an hour each, in just over a month from now (November 23). ... Read more [atom_content] =>

Netflix has set a premiere date for the return of new episodes in what has become one of the streamer’s most controversial original series this year. Director Kevin Smith’s new Masters of the Universe series will release five new episodes, lasting about half an hour each, in just over a month from now (November 23).

This is the second part of the Revelation series, which Smith took on with the task of picking up where the 1980s animated series He-Man and the Masters of the Universe left off. It should have been an easy project, thanks in part to residual nostalgia for the original. Unfortunately, this series has generated a great deal of controversy. It was criticized on Rotten Tomatoes (with an audience score of 39%, currently), although critics apparently love it. The series has a 94% critic score on the review site, currently. So what’s going on?

Masters of the Universe: Revelation part 2 ? próximamente en Netflix

First of all, this is what Netflix is ??saying about the new episodes coming in November. “The War for Eternia Continues in Part Two of Masters of the Universe: Revelation,” reads the official synopsis from the streamer. The show is ?an innovative, action-packed animated series that picks up where the iconic characters left off.

“With Skeletor now wielding the Sword of Power, the weary heroes of Eternia must unite to battle the forces of evil in a thrilling and epic conclusion to the two-part series.”

The show also features an impressive voice cast. Includes Mark Hamill as Skeletor; Lena Headey as Evil-Lyn; and Alicia Silverstone as Queen Marlena. Also in the mix is ??Justin Long, lending his voice to the character of Roboto. Additionally, Jason Mewes voices the villain Stinkor.

Part 1 of the series debuted on Netflix in July. ?Armed with an incredible voice cast,? reads the Rotten Tomatoes critics consensus, ?Revelation cleverly updates Masters of the Universe while preserving the quirky charms of the original to create a show that is sure to please fans and fans alike. new arrivals”.

You can’t please everyone

Bear McCreary, who composed the music for the show, echoed Smith’s tweet from above, promising top-notch action and story in upcoming episodes. “The next five episodes of #MastersOfTheUniverse #Revelation feature some of the best storytelling and action I’ve had the privilege of composing,” McCreary wrote. ?And the music is? pretty epic. Trust me, don’t miss out.

Still, one of the big complaints from the first installment of episodes? It was for the apparent murder of He-Man himself. One reviewer left the following complaint on Rotten Tomatoes: ?Terrible and terribly disappointing. He-Man completely removed from his own show and we are forced to follow an angry, bitter and fragile Teela and her girlfriend talking awkwardly and talking about feelings. It was a complete waste of time. “

We’ll have to wait and see if the next five episodes can redeem things. If the fans even give them a chance, that is.

Image Source: Netflix

Many Thanks To The following Website For This Valuable Content.
A controversial Netflix original returns with new episodes next month – EzAnime.net

[date_timestamp] => 1634873145 ) [4] => Array ( [title] => Kaley Cuoco, excited after her first Golden Globe nomination [link] => https://wikileaksisdemocracy.org/kaley-cuoco-excited-after-her-first-golden-globe-nomination/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:24:40 +0000 [category] => Movie Production CompaniesCuocoExcitedGlobeGoldenGolden GlobesKaleyKaley CuoconominationThe Flight Attendant [guid] => https://wikileaksisdemocracy.org/kaley-cuoco-excited-after-her-first-golden-globe-nomination/ [description] => Although everyone remembers Kaley Cuoco for her mythical role as Penny in The Big Bang theory, the actress has shown that she has known how to leave this stage of her life behind and set course for other professional projects. A twist he carried out aboard a plane, specifically the one in the series The ... Read more [content] => Array ( [encoded] =>


Although everyone remembers Kaley Cuoco for her mythical role as Penny in The Big Bang theory, the actress has shown that she has known how to leave this stage of her life behind and set course for other professional projects. A twist he carried out aboard a plane, specifically the one in the series The flight attendant, the comedy that premiered at the end of last year on the HBO Max platform and now It has earned the actress her first Golden Globe nomination. This recognition could not cause him greater emotion, as the video of the moment in which he heard the news shows. The actress cannot hold back her tears.

– ‘Mank’ and ‘The Crown’ lead the nominations for the 2021 Golden Globes

VIEW GALLERY

“Thanks to the Foreign Press Association. I will never forget this moment, and I cannot stop crying. I am very proud of the whole team,” wrote the interpreter accompanying some homemade images in which, from inside the bed and dressed wearing a sweatshirt, she was astonished to discover how the series that has brought her back to the small screen is nominated for two awards: Best Comedy Series and Best Actress in a Comedy Series. An emotional reaction that affects her personally in both nominations, since, in addition to being the protagonist of the series’ plot, Kaley Cuoco is also the executive producer.

– Kaley Cuoco and Johnny Galecki (‘The Big Bang Theory’), a romance contrary to the one in the series

A ceremony to be held on February 28 and in which Kaley Cuoco with The flight attendant will compete in the category of Best Comedy Series against the highly successful Emily in Paris of the winning platform of Netflix nominations, The Great de Hulu, Ted Lasso Apple TV + and Schitt’s Creek of the CBC. As for the award for Best Actress in a Comedy Series, the one that gave life to the long-suffering neighbor of Sheldon Cooper and company competes with Lilly Collins by Emily in Paris, with Elle Fanning by The Great, with Jane Levy by Zoey’s extraordinary playlist and with Catherine O’Hara by Schitt’s Creek. All in some television candidacies where series like The Crown O Ozark they have swept away.

VIEW GALLERY

Jim Parsons, the unforgettable Sheldon Cooper, also a Golden Globe nominee

Due to life events, fate has wanted Jim Parsons, the actor who played Sheldon Cooper, also to have been nominated at the 2021 Golden Globes for a role other than that of scientist in the popular series he shared with Cuoco. In his case, it is not the first time that this has happened, but rather, this is the fourth nomination he has celebrated in these awards, of which he was the winner in one of them. Of course, this is the first time that it happens for a job other than The Big Bang Theory, given that, Jim Parsons has been nominated for Best Supporting Actor in a Series, Miniseries or TV Movie for his work in Hollywood de Ryan Murphy, Netflix production.

– Kaley Cuoco can’t help tears when reading the end of ‘The Big Bang Theory’

– Kaley Cuoco will take away a peculiar memory when the filming of ‘The Big Bang Theory’ ends

– So are the children of Spike Lee, the new ambassadors of the Golden Globes



To know the most relevant of hola.com and not miss articles like this one, subscribe to our newsletter here.

.

Many Thanks To The following Website For This Valuable Content.
Kaley Cuoco, excited after her first Golden Globe nomination

) [summary] => Although everyone remembers Kaley Cuoco for her mythical role as Penny in The Big Bang theory, the actress has shown that she has known how to leave this stage of her life behind and set course for other professional projects. A twist he carried out aboard a plane, specifically the one in the series The ... Read more [atom_content] =>


Although everyone remembers Kaley Cuoco for her mythical role as Penny in The Big Bang theory, the actress has shown that she has known how to leave this stage of her life behind and set course for other professional projects. A twist he carried out aboard a plane, specifically the one in the series The flight attendant, the comedy that premiered at the end of last year on the HBO Max platform and now It has earned the actress her first Golden Globe nomination. This recognition could not cause him greater emotion, as the video of the moment in which he heard the news shows. The actress cannot hold back her tears.

– ‘Mank’ and ‘The Crown’ lead the nominations for the 2021 Golden Globes

VIEW GALLERY

“Thanks to the Foreign Press Association. I will never forget this moment, and I cannot stop crying. I am very proud of the whole team,” wrote the interpreter accompanying some homemade images in which, from inside the bed and dressed wearing a sweatshirt, she was astonished to discover how the series that has brought her back to the small screen is nominated for two awards: Best Comedy Series and Best Actress in a Comedy Series. An emotional reaction that affects her personally in both nominations, since, in addition to being the protagonist of the series’ plot, Kaley Cuoco is also the executive producer.

– Kaley Cuoco and Johnny Galecki (‘The Big Bang Theory’), a romance contrary to the one in the series

A ceremony to be held on February 28 and in which Kaley Cuoco with The flight attendant will compete in the category of Best Comedy Series against the highly successful Emily in Paris of the winning platform of Netflix nominations, The Great de Hulu, Ted Lasso Apple TV + and Schitt’s Creek of the CBC. As for the award for Best Actress in a Comedy Series, the one that gave life to the long-suffering neighbor of Sheldon Cooper and company competes with Lilly Collins by Emily in Paris, with Elle Fanning by The Great, with Jane Levy by Zoey’s extraordinary playlist and with Catherine O’Hara by Schitt’s Creek. All in some television candidacies where series like The Crown O Ozark they have swept away.

VIEW GALLERY

Jim Parsons, the unforgettable Sheldon Cooper, also a Golden Globe nominee

Due to life events, fate has wanted Jim Parsons, the actor who played Sheldon Cooper, also to have been nominated at the 2021 Golden Globes for a role other than that of scientist in the popular series he shared with Cuoco. In his case, it is not the first time that this has happened, but rather, this is the fourth nomination he has celebrated in these awards, of which he was the winner in one of them. Of course, this is the first time that it happens for a job other than The Big Bang Theory, given that, Jim Parsons has been nominated for Best Supporting Actor in a Series, Miniseries or TV Movie for his work in Hollywood de Ryan Murphy, Netflix production.

– Kaley Cuoco can’t help tears when reading the end of ‘The Big Bang Theory’

– Kaley Cuoco will take away a peculiar memory when the filming of ‘The Big Bang Theory’ ends

– So are the children of Spike Lee, the new ambassadors of the Golden Globes



To know the most relevant of hola.com and not miss articles like this one, subscribe to our newsletter here.

.

Many Thanks To The following Website For This Valuable Content.
Kaley Cuoco, excited after her first Golden Globe nomination

[date_timestamp] => 1634873080 ) [5] => Array ( [title] => ?Ghostbusters: Beyond? launches new trailer full of winks to the original film and with a stellar moment [link] => https://wikileaksisdemocracy.org/ghostbusters-beyond-launches-new-trailer-full-of-winks-to-the-original-film-and-with-a-stellar-moment/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:21:44 +0000 [category] => Movie Production CompaniesactorsactressesBillboardfilmFilmsframesfullghostbusterslaunchesmomentmoviesOriginalphotosStarsstellarTrailertrailersvideosWhowill quarterwinks [guid] => https://wikileaksisdemocracy.org/ghostbusters-beyond-launches-new-trailer-full-of-winks-to-the-original-film-and-with-a-stellar-moment/ [description] => 37 years after that mythical paranormal proposal led by Bill Murray, Dan Aykroyd and Harold Ramis, comes a new sequel ready to recreate the essence of that eighties ‘Ghostbusters’ that many remember fondly. ‘Ghostbusters: Beyond’, directed by Jason Reitman, son of the director of the original film, has a very young cast led by Finn ... Read more [content] => Array ( [encoded] =>

37 years after that mythical paranormal proposal led by Bill Murray, Dan Aykroyd and Harold Ramis, comes a new sequel ready to recreate the essence of that eighties ‘Ghostbusters’ that many remember fondly. ‘Ghostbusters: Beyond’, directed by Jason Reitman, son of the director of the original film, has a very young cast led by Finn Wolfhard, an actor known for his role in the hit Netflix series ‘Stranger Things’, or Mckenna Grace; but he also plans to make room for the elders of the house with Paul Rudd and Carrie Coon.

From the hand of this cast, which would include the odd surprise repeating the protagonists of the original, as is the case of Bill Murray, ‘Ghostbusters: Afterlife’ moves the saga from New York to the small town of Summerville, Oklahoma. Thus, for the first time this creepy story will not have the impressive skyscrapers of the aforementioned American city in the background, but will settle between the farmlands of the remote place to which the brothers Phoebe (Grace) and Trevor (Wolfhard) move with their mother (Coon). The family settles in a house that was owned by their late grandfather, whom none of the three knew well, and who turns out to be none other than Egon Spengler (Ramis). For this reason, as soon as mysterious events of possible paranormal origin begin to occur, the family discovers their connection to the original ghostbusters, now forgotten. All of this, of course, with a lot of nods to the origin of the franchise, as some of those in this new trailer (which comes with a final surprise!):

The Ghostbusters universe

Sony is still immersed in the Ghostbusters universe because after that first installment, The supernatural-loving gang reunited for a sequel to ‘Ghostbusters 2’, and although that film was not as big a success as the original, nor was it as highly regarded by critics, it seemed that the fans had been wanting more. Hence, conversations began for a third film that never came, and whose hopes ended up being definitively dissolved with the death of Ramis in 2014.

After that, the aforementioned study decided that this brand was too valuable to have it in a drawer, and ended up giving the green light to a female reboot that premiered in 2016. Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones made up that Ghostbusters team that caused a division of opinions. The more purist fans of the original ‘Ghostbusters’ did not support it, prompting disappointing box office result and consequent turnaround by Sony. Finally the adventure continues returning to its roots and embracing its most familiar base, will this be the key? We will leave doubts on December 3 in theaters.

.

Many Thanks To The following Website For This Valuable Content.
‘Ghostbusters: Beyond’ launches new trailer full of winks to the original film and with a stellar moment

) [summary] => 37 years after that mythical paranormal proposal led by Bill Murray, Dan Aykroyd and Harold Ramis, comes a new sequel ready to recreate the essence of that eighties ‘Ghostbusters’ that many remember fondly. ‘Ghostbusters: Beyond’, directed by Jason Reitman, son of the director of the original film, has a very young cast led by Finn ... Read more [atom_content] =>

37 years after that mythical paranormal proposal led by Bill Murray, Dan Aykroyd and Harold Ramis, comes a new sequel ready to recreate the essence of that eighties ‘Ghostbusters’ that many remember fondly. ‘Ghostbusters: Beyond’, directed by Jason Reitman, son of the director of the original film, has a very young cast led by Finn Wolfhard, an actor known for his role in the hit Netflix series ‘Stranger Things’, or Mckenna Grace; but he also plans to make room for the elders of the house with Paul Rudd and Carrie Coon.

From the hand of this cast, which would include the odd surprise repeating the protagonists of the original, as is the case of Bill Murray, ‘Ghostbusters: Afterlife’ moves the saga from New York to the small town of Summerville, Oklahoma. Thus, for the first time this creepy story will not have the impressive skyscrapers of the aforementioned American city in the background, but will settle between the farmlands of the remote place to which the brothers Phoebe (Grace) and Trevor (Wolfhard) move with their mother (Coon). The family settles in a house that was owned by their late grandfather, whom none of the three knew well, and who turns out to be none other than Egon Spengler (Ramis). For this reason, as soon as mysterious events of possible paranormal origin begin to occur, the family discovers their connection to the original ghostbusters, now forgotten. All of this, of course, with a lot of nods to the origin of the franchise, as some of those in this new trailer (which comes with a final surprise!):

The Ghostbusters universe

Sony is still immersed in the Ghostbusters universe because after that first installment, The supernatural-loving gang reunited for a sequel to ‘Ghostbusters 2’, and although that film was not as big a success as the original, nor was it as highly regarded by critics, it seemed that the fans had been wanting more. Hence, conversations began for a third film that never came, and whose hopes ended up being definitively dissolved with the death of Ramis in 2014.

After that, the aforementioned study decided that this brand was too valuable to have it in a drawer, and ended up giving the green light to a female reboot that premiered in 2016. Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones made up that Ghostbusters team that caused a division of opinions. The more purist fans of the original ‘Ghostbusters’ did not support it, prompting disappointing box office result and consequent turnaround by Sony. Finally the adventure continues returning to its roots and embracing its most familiar base, will this be the key? We will leave doubts on December 3 in theaters.

.

Many Thanks To The following Website For This Valuable Content.
‘Ghostbusters: Beyond’ launches new trailer full of winks to the original film and with a stellar moment

[date_timestamp] => 1634872904 ) [6] => Array ( [title] => October 22, 2021 [link] => https://wikileaksisdemocracy.org/october-22-2021/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:20:21 +0000 [category] => Movie Production CompaniesOctober [guid] => https://wikileaksisdemocracy.org/october-22-2021/ [description] => The strange journey Original title: The strange journeyYear: 1964Duration: 98 min.Country SpainDirection: Fernando Fernán GómezScreenplay: Manuel Ruiz Castillo, Pedro Beltrán. Plot: Luis García BerlangaMusic: Cristóbal HalffterPhotography: José Fernández Aguayo (B&W)Cast: Carlos Larrañaga, Tota Alba, Lina Canalejas, Jesús Franco, Rafaela Aparicio, Sara Lezana, María Luisa Ponte, Teresa Gisbert, Luis Marín, Goyo Lebrero, Luis Domínguez Luna, Cayetano ... Read more [content] => Array ( [encoded] =>

The strange journey

Original title: The strange journey
Year: 1964
Duration: 98 min.
Country Spain
Direction: Fernando Fernán Gómez
Screenplay: Manuel Ruiz Castillo, Pedro Beltrán. Plot: Luis García Berlanga
Music: Cristóbal Halffter
Photography: José Fernández Aguayo (B&W)
Cast: Carlos Larrañaga, Tota Alba, Lina Canalejas, Jesús Franco, Rafaela Aparicio, Sara Lezana, María Luisa Ponte, Teresa Gisbert, Luis Marín, Goyo Lebrero, Luis Domínguez Luna, Cayetano Torregrosa, Rafael Alcántara, Xan das Bolas, Narciso Ojeda, Carola Fernán Gómez, Emilio Santiago, Joaquín Roa, José Villasante, Pilar Gómez Ferrer, Ángel Menéndez, Alfredo Díaz, Enrique Pelayo, Ricardo G. Lilló see 11 more
Genre: Mystery, Drama, Black Comedy, Country Life, Family, Cult Movie

In a small provincial town, near the capital, lives a family made up of three brothers: the dominant and severe Ignacia and the shy and withdrawn Paquita and Venancio. The monotony of town life is only broken on Saturdays when a musical group from Madrid arrives to entertain their songs on the weekend. On a stormy Saturday, Paquita and Venancio, who are very fearful, hear noises and go to their sister’s room for protection. They see someone there, but Ignacia flatly denies it.


Among roses

Original title: La fine fleur
Year: 2020
Duration: 95 min.
Country France
Direction: Pierre Pinaud
Guion: Fadette Drouard, Philippe Le Guay, Pierre Pinaud
Music: Mathieu Lamboley
Photography: Guillaume Deffontaines
Reparto: Catherine Frot, Fatsah Bouyahmed, Olivier Breitman, Olivia Côte, Vincent Dedienne, Melan Omerta, Marie Petiot
Comedy genre

Eve created the most famous roses in the world, but now she is old-fashioned, embittered and on the brink of bankruptcy. Vera, his faithful assistant, comes up with a brilliant and crazy idea that could change their lives forever …


Halloween Kills

Título original: Halloween Kills
Year: 2021
Duration: 105 min.
Country: United States
Director: David Gordon Green
Guion: David Gordon Green, Danny McBride, Scott Teems. Personaje: John Carpenter, Debra Hill
Música: Cody Carpenter, John Carpenter, Daniel A. Davies
Photography: Michael Simmonds
Reparto: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Anthony Michael Hall, Thomas Mann, Nick Castle, James Jude Courtney, Kyle Richards, Robert Longstreet, Dylan Arnold, Stephanie McIntyre, Omar Dorsey, Charles Cyphers, Niko El Santo Zavero, Nancy Stephens, Jibrail Nantambu, J. Gaven Wilde, Brian F. Durkin, Salem Murphy ver 7 más
Genre: Horror, Thriller, Slasher, Serial Killers, Halloween, Sequel

Halloween night Michael Myers returns is not over yet. Minutes after Laurie Strode, her daughter Karen, and her granddaughter Allyson leave this masked monster locked up and on fire, Laurie rushes to the hospital to treat her injuries, believing it’s all over. But when Michael manages to free himself, his bloody ritual continues. As Laurie deals with her pain and prepares to defend herself, she inspires all of Haddonfield to rise up against this unstoppable monster.


The French Chronicle

Título original: The French Dispatch
Year: 2021
Duration: 108 min.
Country: United States
Director: Wes Anderson
Guion: Wes Anderson
Music: Alexandre Desplat
Photography: Robert D. Yeoman
Reparto: Benicio del Toro, Frances McDormand, Jeffrey Wright, Adrien Brody, Tilda Swinton, Timothée Chalamet, Léa Seydoux, Owen Wilson, Mathieu Amalric, Lyna Khoudri, Steve Park, Bill Murray, Saoirse Ronan, Willem Dafoe, Kate Winslet, Alex Lawther, Cécile De France, Henry Winkler, Elisabeth Moss, Christoph Waltz, Rupert Friend, Jason Schwartzman, Fisher Stevens, Sam Haygarth, Denis Menochet ver 12 más
Genre: Comedy, Drama, Romance, Journalism

A group of journalists and contributors to The French Dispatch magazine, an American publication whose editorial office is located in a fictional 20th-century French city. Arthur Howitzer Jr. (Bill Murray) is the editor of this magazine in which Herbsaint Sazerac (Owen Wilson), JKL Berensen (Tilda Swinton), Roebuck Wright (Jeffrey Wright) and Lucinda Krementz (Frances McDormand) work, among others. The French Dispatch newspaper deals with topics related to the world of politics, the arts both high and low, and also human interest stories. The stories in which this group of journalists work will range from that of Moses Rosenthaler (Benicio Del Toro), an artist sentenced to death, to a kidnapping involving a chef or the student riots in which the young Zeffirelli (Timothée Chalamet).


Who prevents it

Original title: Who prevents it
Year: 2021
Duration: 220 min.
Country Spain
Direction: Jonás Trueba
Screenplay: Jonás Trueba
Music: Rafael Berrio, Alberto González, Andrei Mazga, Pablo Gavira
Photography: Jonás Trueba
Cast: Documentary, Candela Recio, Pablo Hoyos, Silvio Aguilar, Pablo Gavira, Claudia Navarro, Marta Casado, Rony-Michelle Pinzaru, Javier Sánchez
Genre: Documentary, Adolescence

Who prevents it is a call to transform the perception we have about adolescence and youth; that of those who were born at the beginning of the 21st century and have just come of age; those who now seem guilty of everything while seeing their hopes diminished. Between the documentary, fiction and the pure testimonial record, young adolescents show themselves as they are but as we rarely see them or let us see them: taking advantage of the movie camera to show the best of themselves and restore our confidence in the future; from fragility and emotion, with humor, intelligence, convictions and ideas. Because the youth that speak to us about love, friendship, politics or education are not only speaking about their own, but about what we always care about, at any age. Who prevents it is a film about us: about what we were, what we are and what we will continue to be.


Ron is wrong

Título original: Ron?s Gone Wrong
Year: 2021
Duration: 106 min.
Country: UK
Direction: Alessandro Carloni, Jean-Philippe Vine
Guion: Peter Baynham, Sarah Smith, Jean-Philippe Vine
Photography: Animation, David Peers
Cast: Animation, Thomas Barbusca
Genre: Animation, Comedy, Children’s, Robots

In the near future, technology is integrated into everyday life, robots walk, talk and connect digitally, becoming the new best friends of children. One day that pattern is broken when a child, whose family cannot afford a new robot, comes across a damaged robot with only 5% functionality. From that moment, the child will try to do everything possible to make the robot work, creating a bond between them that will lead them to discover the true meaning of friendship in a world of algorithms and social networks.


Save the tree

Original title: Save the tree
Year: 2021
Duration: 80 min.
Country Spain
Direction: Iker Alvarez, Haizea Pastor
Screenplay: Yurre Ugarte, Segundo Altolagirre, Fernando Salem, Matias Goldberg
Music: Silvia San Miguel
Photography: Animation
Genre: Animation, Children

In a global world increasingly removed from the natural environment, there are still those who tell stories about trees, fantastic beings with powers that escape our imagination. And with them, from the moment the seed germinates, a goblin is their inseparable companion, together they will grow, flourish, suffer. Their destinies remain united forever. They are born and die at the same time, or at least that is what the old legends say, but what about city trees? Now they are in danger. The trees are dying and with them their goblins. There is only one way to help them … SAVE THE TREE!


Supernova

Original title: Supernova
Year: 2020
Duration: 93 min.
Country: UK
Director: Harry Macqueen
Guion: Harry Macqueen
Música: Keaton Henson
Photography: Dick Pope
Reparto: Colin Firth, Stanley Tucci, James Dreyfus, Pippa Haywood, Sarah Woodward, Tina Louise Owens, Julie Hannan, John Alan Roberts, Lori Campbell, Peter MacQueen
Genre: Drama, Road Movie, Disease, Alzheimer’s, Homosexuality, Friendship

Sam (Colin Firth) and Tusker (Stanley Tucci) have been together for twenty years and are as in love as the first day. But in the past two years, since Tusker was diagnosed with early-stage Alzheimer’s, their lives have completely changed. Now they travel all over England in their old RV visiting friends, family and places from their past. Although the most valuable thing they have is the time they spend together, as the journey progresses, their differences begin about future projects. Secrets are uncovered and private plans are discovered that put your love to the test like never before.

Many Thanks To The following Website For This Valuable Content.
October 22, 2021

) [summary] => The strange journey Original title: The strange journeyYear: 1964Duration: 98 min.Country SpainDirection: Fernando Fernán GómezScreenplay: Manuel Ruiz Castillo, Pedro Beltrán. Plot: Luis García BerlangaMusic: Cristóbal HalffterPhotography: José Fernández Aguayo (B&W)Cast: Carlos Larrañaga, Tota Alba, Lina Canalejas, Jesús Franco, Rafaela Aparicio, Sara Lezana, María Luisa Ponte, Teresa Gisbert, Luis Marín, Goyo Lebrero, Luis Domínguez Luna, Cayetano ... Read more [atom_content] =>

The strange journey

Original title: The strange journey
Year: 1964
Duration: 98 min.
Country Spain
Direction: Fernando Fernán Gómez
Screenplay: Manuel Ruiz Castillo, Pedro Beltrán. Plot: Luis García Berlanga
Music: Cristóbal Halffter
Photography: José Fernández Aguayo (B&W)
Cast: Carlos Larrañaga, Tota Alba, Lina Canalejas, Jesús Franco, Rafaela Aparicio, Sara Lezana, María Luisa Ponte, Teresa Gisbert, Luis Marín, Goyo Lebrero, Luis Domínguez Luna, Cayetano Torregrosa, Rafael Alcántara, Xan das Bolas, Narciso Ojeda, Carola Fernán Gómez, Emilio Santiago, Joaquín Roa, José Villasante, Pilar Gómez Ferrer, Ángel Menéndez, Alfredo Díaz, Enrique Pelayo, Ricardo G. Lilló see 11 more
Genre: Mystery, Drama, Black Comedy, Country Life, Family, Cult Movie

In a small provincial town, near the capital, lives a family made up of three brothers: the dominant and severe Ignacia and the shy and withdrawn Paquita and Venancio. The monotony of town life is only broken on Saturdays when a musical group from Madrid arrives to entertain their songs on the weekend. On a stormy Saturday, Paquita and Venancio, who are very fearful, hear noises and go to their sister’s room for protection. They see someone there, but Ignacia flatly denies it.


Among roses

Original title: La fine fleur
Year: 2020
Duration: 95 min.
Country France
Direction: Pierre Pinaud
Guion: Fadette Drouard, Philippe Le Guay, Pierre Pinaud
Music: Mathieu Lamboley
Photography: Guillaume Deffontaines
Reparto: Catherine Frot, Fatsah Bouyahmed, Olivier Breitman, Olivia Côte, Vincent Dedienne, Melan Omerta, Marie Petiot
Comedy genre

Eve created the most famous roses in the world, but now she is old-fashioned, embittered and on the brink of bankruptcy. Vera, his faithful assistant, comes up with a brilliant and crazy idea that could change their lives forever …


Halloween Kills

Título original: Halloween Kills
Year: 2021
Duration: 105 min.
Country: United States
Director: David Gordon Green
Guion: David Gordon Green, Danny McBride, Scott Teems. Personaje: John Carpenter, Debra Hill
Música: Cody Carpenter, John Carpenter, Daniel A. Davies
Photography: Michael Simmonds
Reparto: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Anthony Michael Hall, Thomas Mann, Nick Castle, James Jude Courtney, Kyle Richards, Robert Longstreet, Dylan Arnold, Stephanie McIntyre, Omar Dorsey, Charles Cyphers, Niko El Santo Zavero, Nancy Stephens, Jibrail Nantambu, J. Gaven Wilde, Brian F. Durkin, Salem Murphy ver 7 más
Genre: Horror, Thriller, Slasher, Serial Killers, Halloween, Sequel

Halloween night Michael Myers returns is not over yet. Minutes after Laurie Strode, her daughter Karen, and her granddaughter Allyson leave this masked monster locked up and on fire, Laurie rushes to the hospital to treat her injuries, believing it’s all over. But when Michael manages to free himself, his bloody ritual continues. As Laurie deals with her pain and prepares to defend herself, she inspires all of Haddonfield to rise up against this unstoppable monster.


The French Chronicle

Título original: The French Dispatch
Year: 2021
Duration: 108 min.
Country: United States
Director: Wes Anderson
Guion: Wes Anderson
Music: Alexandre Desplat
Photography: Robert D. Yeoman
Reparto: Benicio del Toro, Frances McDormand, Jeffrey Wright, Adrien Brody, Tilda Swinton, Timothée Chalamet, Léa Seydoux, Owen Wilson, Mathieu Amalric, Lyna Khoudri, Steve Park, Bill Murray, Saoirse Ronan, Willem Dafoe, Kate Winslet, Alex Lawther, Cécile De France, Henry Winkler, Elisabeth Moss, Christoph Waltz, Rupert Friend, Jason Schwartzman, Fisher Stevens, Sam Haygarth, Denis Menochet ver 12 más
Genre: Comedy, Drama, Romance, Journalism

A group of journalists and contributors to The French Dispatch magazine, an American publication whose editorial office is located in a fictional 20th-century French city. Arthur Howitzer Jr. (Bill Murray) is the editor of this magazine in which Herbsaint Sazerac (Owen Wilson), JKL Berensen (Tilda Swinton), Roebuck Wright (Jeffrey Wright) and Lucinda Krementz (Frances McDormand) work, among others. The French Dispatch newspaper deals with topics related to the world of politics, the arts both high and low, and also human interest stories. The stories in which this group of journalists work will range from that of Moses Rosenthaler (Benicio Del Toro), an artist sentenced to death, to a kidnapping involving a chef or the student riots in which the young Zeffirelli (Timothée Chalamet).


Who prevents it

Original title: Who prevents it
Year: 2021
Duration: 220 min.
Country Spain
Direction: Jonás Trueba
Screenplay: Jonás Trueba
Music: Rafael Berrio, Alberto González, Andrei Mazga, Pablo Gavira
Photography: Jonás Trueba
Cast: Documentary, Candela Recio, Pablo Hoyos, Silvio Aguilar, Pablo Gavira, Claudia Navarro, Marta Casado, Rony-Michelle Pinzaru, Javier Sánchez
Genre: Documentary, Adolescence

Who prevents it is a call to transform the perception we have about adolescence and youth; that of those who were born at the beginning of the 21st century and have just come of age; those who now seem guilty of everything while seeing their hopes diminished. Between the documentary, fiction and the pure testimonial record, young adolescents show themselves as they are but as we rarely see them or let us see them: taking advantage of the movie camera to show the best of themselves and restore our confidence in the future; from fragility and emotion, with humor, intelligence, convictions and ideas. Because the youth that speak to us about love, friendship, politics or education are not only speaking about their own, but about what we always care about, at any age. Who prevents it is a film about us: about what we were, what we are and what we will continue to be.


Ron is wrong

Título original: Ron?s Gone Wrong
Year: 2021
Duration: 106 min.
Country: UK
Direction: Alessandro Carloni, Jean-Philippe Vine
Guion: Peter Baynham, Sarah Smith, Jean-Philippe Vine
Photography: Animation, David Peers
Cast: Animation, Thomas Barbusca
Genre: Animation, Comedy, Children’s, Robots

In the near future, technology is integrated into everyday life, robots walk, talk and connect digitally, becoming the new best friends of children. One day that pattern is broken when a child, whose family cannot afford a new robot, comes across a damaged robot with only 5% functionality. From that moment, the child will try to do everything possible to make the robot work, creating a bond between them that will lead them to discover the true meaning of friendship in a world of algorithms and social networks.


Save the tree

Original title: Save the tree
Year: 2021
Duration: 80 min.
Country Spain
Direction: Iker Alvarez, Haizea Pastor
Screenplay: Yurre Ugarte, Segundo Altolagirre, Fernando Salem, Matias Goldberg
Music: Silvia San Miguel
Photography: Animation
Genre: Animation, Children

In a global world increasingly removed from the natural environment, there are still those who tell stories about trees, fantastic beings with powers that escape our imagination. And with them, from the moment the seed germinates, a goblin is their inseparable companion, together they will grow, flourish, suffer. Their destinies remain united forever. They are born and die at the same time, or at least that is what the old legends say, but what about city trees? Now they are in danger. The trees are dying and with them their goblins. There is only one way to help them … SAVE THE TREE!


Supernova

Original title: Supernova
Year: 2020
Duration: 93 min.
Country: UK
Director: Harry Macqueen
Guion: Harry Macqueen
Música: Keaton Henson
Photography: Dick Pope
Reparto: Colin Firth, Stanley Tucci, James Dreyfus, Pippa Haywood, Sarah Woodward, Tina Louise Owens, Julie Hannan, John Alan Roberts, Lori Campbell, Peter MacQueen
Genre: Drama, Road Movie, Disease, Alzheimer’s, Homosexuality, Friendship

Sam (Colin Firth) and Tusker (Stanley Tucci) have been together for twenty years and are as in love as the first day. But in the past two years, since Tusker was diagnosed with early-stage Alzheimer’s, their lives have completely changed. Now they travel all over England in their old RV visiting friends, family and places from their past. Although the most valuable thing they have is the time they spend together, as the journey progresses, their differences begin about future projects. Secrets are uncovered and private plans are discovered that put your love to the test like never before.

Many Thanks To The following Website For This Valuable Content.
October 22, 2021

[date_timestamp] => 1634872821 ) [7] => Array ( [title] => Oscar Nominees 2018 Best Supporting Actor: Favorite Sam Rockwell [link] => https://wikileaksisdemocracy.org/oscar-nominees-2018-best-supporting-actor-favorite-sam-rockwell/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:19:22 +0000 [category] => Movie Production CompaniesactorfavoriteNomineesOscarrockwellSamsupporting [guid] => https://wikileaksisdemocracy.org/oscar-nominees-2018-best-supporting-actor-favorite-sam-rockwell/ [description] => February is the month of Andalusians, of lovers and especially of the Oscars awards. Although this year the gala falls in March, specifically on the 4th, in Macguffin007 we are faithful to the traditions and from this first Sunday of the second month of the year we begin the predictions in interpretive categories as we ... Read more [content] => Array ( [encoded] =>

February is the month of Andalusians, of lovers and especially of the Oscars awards. Although this year the gala falls in March, specifically on the 4th, in Macguffin007 we are faithful to the traditions and from this first Sunday of the second month of the year we begin the predictions in interpretive categories as we have been doing for a few years. The rough sea through which the films that compete for the statuette in Best Picture come also have repercussions on the actors and actresses who compete for the four awards, something that is a headache when it comes to predicting winners, but at the same time It turns out to be an amusing and constant state of speculation for the regular Oscar-race fan. The most common speculation has a first and last name in the male cast category: Sam Rockwell.

In a secondary actor, something frankly curious happens, and that is that the a priori favorite to win the award is not the one who has obtained the most victories during the race. Sam Rockwell He has won 15 awards in the season, a figure that is not mucus but is well below the 25 he has achieved Willem Dafoe. The key is that Rockwell has won the most important, the SAG, the Golden Globe and the Critics’ Choice. His Jason Dixon is a fascinating character, round and with the incredible ability to generate tenderness within his detestable rudeness. That he is also in a film that aspires to a lot, especially in the premier category, is nothing but proof that he has the ‘pole position’ because of the drag effect. Against him he only plays that he is a rookie in The Academy (something that usually affects when it comes to being the winner) and that the competition this year is giving war.

Willem Dafoe is alone in this battle alongside Christopher Plummer. If Rockwell has Woody Harrelson as a castmate nominated in the shortlist, apart from the 7 nominations that ‘Three advertisements on the outskirts’ has, Richard Jenkins has his film nominated in other categories, something that reinforces his candidacies. Willem Dafoe on the contrary, he suffers that his film, ‘The Florida Project’, has not found the support of The Academy (probably in favor of Paul Thomas Anderson and his film ‘The Invisible Thread’) and this reduces many options to his victory. The American critics have highly praised his performance as well as Sean Baker’s film, but at key moments of the race he has gone tails on his coin. His victory would be a surprise, which could be based on the fact that it is his third attempt at the Oscars after ‘La Sombra del Vampiro’ and ‘Moon’.

Although ‘The shape of water‘has achieved a whopping 13 nominations (it was one of last year’s record set by 14 for’ La La Land ‘), Richard Jenkins’ victory is practically a pipe dream. He has only been the winner for the critics of St. Louis, and his nomination should be understood as an award for excellence that borders on Guillermo del Toro’s film as well as for his performance, but does not pose a real threat that challenges the potential victory for Sam Rockwell. At 70, Jenkins receives his second nomination after the first in 2008 for ‘The Visitor’ after an endless list of films behind him, and his presence is one of the drops of quality that makes up this year’s shortlist. If ‘The shape of water’ sweeps on March 4, very hard to drag Richard Jenkins in his list of Oscars, although everything is possible that night.

Nominated for best supporting actor at the Oscars 2018 (Sam Rockwell our favorite).

In a clear group of laggards they find Woody Harrelson and Christopher Plummer. The first is another of the bastions of success that ‘Three advertisements on the outskirts’ has, since it gives away precious scenes, especially one that represents an extraordinary and exciting turning point a little after the halfway point of the film. Winner in Philadelphia, his weak options were extinguished when Armie Hammer stole the Golden Globe nomination, something that however was not a problem to be nominated on January 23. Critically respected, Woody Harrelson has regained his star aura after his brilliant role as Marty Hart in the first season of ‘True Detective’, and his nomination, which is the third after ‘The Larry Flint Scandal’ and ‘The Messenger’, is proof that The Academy shares this change in the career of the Texan actor.

It is probably the most controversial candidacy of this year. Christopher Plummer He had to replace Kevin Spacey in record time after the weight of public opinion fell on him when a sexual scandal that he caused in the past leaked. All seemed lost for the film directed by Ridley Scott, but in a surprising way, Plummer sneaked into the Golden Globes and fueled what seemed like the burial of the cinephile adaptation of the figure of American businessman Paul Getty. His absence in the SAG in favor of Steve Carrell for ‘The Battle of the Sexes’ relaxed the whirlwind of opinions regarding his interpretation, but on the 23rd the Academy nominated him and now the dilemma is important. Either Plummer is excellent in ‘All the money in the world’ and academics want to extend the legend of the only Oscar winner of the five or the rumble of the blow to Kevin Spacey had to last until the gala. That he win would be a bomb of an interpretation that scares just thinking about it.

Of the five nominees, only Christopher Plummer he has won the Oscar, but his nomination may respond more to a punishment to a professional colleague than to an acknowledgment of his work. Richard Jenkins and Woody Harrelson are part of the academic praise for their films and an award for their careers more than applauded, but they have no serious chances of victory. The only thing standing between Sam Rockwell and the Oscar is called Willem Dafoe, who has had a great season in criticism but very poor in unions and press associations, which after all is what exerts the most pressure for a future victory. There is exactly one month left for the ceremony, but this year there is no hegemonic favoritism such as that of JK Simmons the year of ‘Whiplash’. There are less than 30 days left, but this has only just begun.

Many Thanks To The following Website For This Valuable Content.
Oscar Nominees 2018 Best Supporting Actor: Favorite Sam Rockwell

) [summary] => February is the month of Andalusians, of lovers and especially of the Oscars awards. Although this year the gala falls in March, specifically on the 4th, in Macguffin007 we are faithful to the traditions and from this first Sunday of the second month of the year we begin the predictions in interpretive categories as we ... Read more [atom_content] =>

February is the month of Andalusians, of lovers and especially of the Oscars awards. Although this year the gala falls in March, specifically on the 4th, in Macguffin007 we are faithful to the traditions and from this first Sunday of the second month of the year we begin the predictions in interpretive categories as we have been doing for a few years. The rough sea through which the films that compete for the statuette in Best Picture come also have repercussions on the actors and actresses who compete for the four awards, something that is a headache when it comes to predicting winners, but at the same time It turns out to be an amusing and constant state of speculation for the regular Oscar-race fan. The most common speculation has a first and last name in the male cast category: Sam Rockwell.

In a secondary actor, something frankly curious happens, and that is that the a priori favorite to win the award is not the one who has obtained the most victories during the race. Sam Rockwell He has won 15 awards in the season, a figure that is not mucus but is well below the 25 he has achieved Willem Dafoe. The key is that Rockwell has won the most important, the SAG, the Golden Globe and the Critics’ Choice. His Jason Dixon is a fascinating character, round and with the incredible ability to generate tenderness within his detestable rudeness. That he is also in a film that aspires to a lot, especially in the premier category, is nothing but proof that he has the ‘pole position’ because of the drag effect. Against him he only plays that he is a rookie in The Academy (something that usually affects when it comes to being the winner) and that the competition this year is giving war.

Willem Dafoe is alone in this battle alongside Christopher Plummer. If Rockwell has Woody Harrelson as a castmate nominated in the shortlist, apart from the 7 nominations that ‘Three advertisements on the outskirts’ has, Richard Jenkins has his film nominated in other categories, something that reinforces his candidacies. Willem Dafoe on the contrary, he suffers that his film, ‘The Florida Project’, has not found the support of The Academy (probably in favor of Paul Thomas Anderson and his film ‘The Invisible Thread’) and this reduces many options to his victory. The American critics have highly praised his performance as well as Sean Baker’s film, but at key moments of the race he has gone tails on his coin. His victory would be a surprise, which could be based on the fact that it is his third attempt at the Oscars after ‘La Sombra del Vampiro’ and ‘Moon’.

Although ‘The shape of water‘has achieved a whopping 13 nominations (it was one of last year’s record set by 14 for’ La La Land ‘), Richard Jenkins’ victory is practically a pipe dream. He has only been the winner for the critics of St. Louis, and his nomination should be understood as an award for excellence that borders on Guillermo del Toro’s film as well as for his performance, but does not pose a real threat that challenges the potential victory for Sam Rockwell. At 70, Jenkins receives his second nomination after the first in 2008 for ‘The Visitor’ after an endless list of films behind him, and his presence is one of the drops of quality that makes up this year’s shortlist. If ‘The shape of water’ sweeps on March 4, very hard to drag Richard Jenkins in his list of Oscars, although everything is possible that night.

Nominated for best supporting actor at the Oscars 2018 (Sam Rockwell our favorite).

In a clear group of laggards they find Woody Harrelson and Christopher Plummer. The first is another of the bastions of success that ‘Three advertisements on the outskirts’ has, since it gives away precious scenes, especially one that represents an extraordinary and exciting turning point a little after the halfway point of the film. Winner in Philadelphia, his weak options were extinguished when Armie Hammer stole the Golden Globe nomination, something that however was not a problem to be nominated on January 23. Critically respected, Woody Harrelson has regained his star aura after his brilliant role as Marty Hart in the first season of ‘True Detective’, and his nomination, which is the third after ‘The Larry Flint Scandal’ and ‘The Messenger’, is proof that The Academy shares this change in the career of the Texan actor.

It is probably the most controversial candidacy of this year. Christopher Plummer He had to replace Kevin Spacey in record time after the weight of public opinion fell on him when a sexual scandal that he caused in the past leaked. All seemed lost for the film directed by Ridley Scott, but in a surprising way, Plummer sneaked into the Golden Globes and fueled what seemed like the burial of the cinephile adaptation of the figure of American businessman Paul Getty. His absence in the SAG in favor of Steve Carrell for ‘The Battle of the Sexes’ relaxed the whirlwind of opinions regarding his interpretation, but on the 23rd the Academy nominated him and now the dilemma is important. Either Plummer is excellent in ‘All the money in the world’ and academics want to extend the legend of the only Oscar winner of the five or the rumble of the blow to Kevin Spacey had to last until the gala. That he win would be a bomb of an interpretation that scares just thinking about it.

Of the five nominees, only Christopher Plummer he has won the Oscar, but his nomination may respond more to a punishment to a professional colleague than to an acknowledgment of his work. Richard Jenkins and Woody Harrelson are part of the academic praise for their films and an award for their careers more than applauded, but they have no serious chances of victory. The only thing standing between Sam Rockwell and the Oscar is called Willem Dafoe, who has had a great season in criticism but very poor in unions and press associations, which after all is what exerts the most pressure for a future victory. There is exactly one month left for the ceremony, but this year there is no hegemonic favoritism such as that of JK Simmons the year of ‘Whiplash’. There are less than 30 days left, but this has only just begun.

Many Thanks To The following Website For This Valuable Content.
Oscar Nominees 2018 Best Supporting Actor: Favorite Sam Rockwell

[date_timestamp] => 1634872762 ) [8] => Array ( [title] => What Hugh Jackman?s Wolverine Casting Taught Kevin Feige [link] => https://wikileaksisdemocracy.org/what-hugh-jackmans-wolverine-casting-taught-kevin-feige/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:10:11 +0000 [category] => TrendingCastingFeigeHughJackmansKevintaughtWolverine [guid] => https://wikileaksisdemocracy.org/what-hugh-jackmans-wolverine-casting-taught-kevin-feige/ [description] => Hugh Jackman’s Wolverine casting was originally controversial, and it happened to teach Kevin Feige a valuable lesson for the MCU. Hugh Jackman’s Wolverine casting taught Marvel Studios president Kevin Feige a valuable lesson early on his career. Now known as two of the bigger names in the world of superhero movies, Hugh Jackman and Kevin Feige’s ... Read more [content] => Array ( [encoded] =>

Hugh Jackman’s Wolverine casting was originally controversial, and it happened to teach Kevin Feige a valuable lesson for the MCU.

Hugh Jackman’s Wolverine casting taught Marvel Studios president Kevin Feige a valuable lesson early on his career. Now known as two of the bigger names in the world of superhero movies, Hugh Jackman and Kevin Feige’s careers with Marvel were and continue to be quite successful. Jackman got his start playing Wolverine in 2000’s X-Men and hung up the adamantium claws after 2017’s Logan, but Feige remains the chief behind the Marvel Cinematic Universe and its ongoing success.

Although Marvel fans are quite fond of both men at this stage, that wasn’t exactly the case when Hugh Jackman was first announced to be Wolverine in X-Men. His casting came after Dougray Scott had to leave the role, and it quickly became the biggest role of Jackman’s career. However, not everyone was onboard with Jackman playing Wolverine, as the 6’2 Aussie with leading man looks didn’t exactly look like the character’s comic counterpart. He ultimately proved the doubters wrong and became synonymous with his role as Wolverine despite his look. Little did Jackman know that this helped Kevin Feige recognize something important when it comes to casting superhero movies.

Related: The MCU Shouldn?t Bring Back Hugh Jackman Or Wolverine

Feige recalled the outrage to a tall Wolverine in The Story of Marvel Studios: The Making of the Marvel Cinematic Universe and revealed the important lesson he took from it. The key to Jackman’s Wolverine casting – and any comic book movie castings – in Feige’s mind is that whoever gets the role embodies the spirit of the character first and foremost. Matching the physical look from the comics isn’t as important to Feige, as Jackman matched Wolverine’s comic spirit.

Who cares that he’s so tall? He embodies the spirit of Wolverine, and that was a big lesson that I always took from that. It doesn’t have to match the comic frame exactly. It has to match the spirit of it.

Hugh Jackman and Kevin Feige

With this thought process in mind, it is easy to see how Feige applied his thoughts on Hugh Jackman’s Wolverine casting to crafting the MCU. The early years of Marvel Studios did see their casting decisions remain quite faithful to how characters looked in the comics. Chris Evans’ Captain America, Robert Downey Jr.’s Iron Man, and Chris Hemsworth’s Thor looked like they were ripped straight out of the source material. However, the MCU has more recently switched up this game plan and changed the looks, ethnicities, and genders of prominent characters like The Ancient One, Kang the Conqueror, Mar-Vell, Mary Jane/Michelle, and Eternals characters such as Ajak and Makkari.

Feige’s mindset in regards to Jackman’s Wolverine casting could even have repercussions for the MCU’s Wolverine. There are a lot of fans who want to see the actor who plays Wolverine in the MCU to have a more traditional look to the comics: shorter, stockier, and a bit more rugged. If Feige is primarily concerned with finding actors who embody the spirit of their comic character, that could mean the MCU’s Wolverine actor also looks quite different from Jackman and the comics. In any case, that individual will have to work with Feige to differentiate his portrayal from Jackman’s.

More: The MCU Needs To Recast Wolverine (Because Jackman’s End Was Perfect)

Uncharted Movie game Characters Drake Chloe

Uncharted: Every Game Character In The Movie & How They Compare


About The Author

) [summary] => Hugh Jackman’s Wolverine casting was originally controversial, and it happened to teach Kevin Feige a valuable lesson for the MCU. Hugh Jackman’s Wolverine casting taught Marvel Studios president Kevin Feige a valuable lesson early on his career. Now known as two of the bigger names in the world of superhero movies, Hugh Jackman and Kevin Feige’s ... Read more [atom_content] =>

Hugh Jackman’s Wolverine casting was originally controversial, and it happened to teach Kevin Feige a valuable lesson for the MCU.

Hugh Jackman’s Wolverine casting taught Marvel Studios president Kevin Feige a valuable lesson early on his career. Now known as two of the bigger names in the world of superhero movies, Hugh Jackman and Kevin Feige’s careers with Marvel were and continue to be quite successful. Jackman got his start playing Wolverine in 2000’s X-Men and hung up the adamantium claws after 2017’s Logan, but Feige remains the chief behind the Marvel Cinematic Universe and its ongoing success.

Although Marvel fans are quite fond of both men at this stage, that wasn’t exactly the case when Hugh Jackman was first announced to be Wolverine in X-Men. His casting came after Dougray Scott had to leave the role, and it quickly became the biggest role of Jackman’s career. However, not everyone was onboard with Jackman playing Wolverine, as the 6’2 Aussie with leading man looks didn’t exactly look like the character’s comic counterpart. He ultimately proved the doubters wrong and became synonymous with his role as Wolverine despite his look. Little did Jackman know that this helped Kevin Feige recognize something important when it comes to casting superhero movies.

Related: The MCU Shouldn?t Bring Back Hugh Jackman Or Wolverine

Feige recalled the outrage to a tall Wolverine in The Story of Marvel Studios: The Making of the Marvel Cinematic Universe and revealed the important lesson he took from it. The key to Jackman’s Wolverine casting – and any comic book movie castings – in Feige’s mind is that whoever gets the role embodies the spirit of the character first and foremost. Matching the physical look from the comics isn’t as important to Feige, as Jackman matched Wolverine’s comic spirit.

Who cares that he’s so tall? He embodies the spirit of Wolverine, and that was a big lesson that I always took from that. It doesn’t have to match the comic frame exactly. It has to match the spirit of it.

Hugh Jackman and Kevin Feige

With this thought process in mind, it is easy to see how Feige applied his thoughts on Hugh Jackman’s Wolverine casting to crafting the MCU. The early years of Marvel Studios did see their casting decisions remain quite faithful to how characters looked in the comics. Chris Evans’ Captain America, Robert Downey Jr.’s Iron Man, and Chris Hemsworth’s Thor looked like they were ripped straight out of the source material. However, the MCU has more recently switched up this game plan and changed the looks, ethnicities, and genders of prominent characters like The Ancient One, Kang the Conqueror, Mar-Vell, Mary Jane/Michelle, and Eternals characters such as Ajak and Makkari.

Feige’s mindset in regards to Jackman’s Wolverine casting could even have repercussions for the MCU’s Wolverine. There are a lot of fans who want to see the actor who plays Wolverine in the MCU to have a more traditional look to the comics: shorter, stockier, and a bit more rugged. If Feige is primarily concerned with finding actors who embody the spirit of their comic character, that could mean the MCU’s Wolverine actor also looks quite different from Jackman and the comics. In any case, that individual will have to work with Feige to differentiate his portrayal from Jackman’s.

More: The MCU Needs To Recast Wolverine (Because Jackman’s End Was Perfect)

Uncharted Movie game Characters Drake Chloe

Uncharted: Every Game Character In The Movie & How They Compare


About The Author

[date_timestamp] => 1634872211 ) [9] => Array ( [title] => ?Candyman? receives potent update | The Pacer [link] => https://wikileaksisdemocracy.org/candyman-receives-potent-update-the-pacer/ [dc] => Array ( [creator] => Susan Paul ) [pubdate] => Fri, 22 Oct 2021 03:09:05 +0000 [category] => Movie NewsCandymanPacerpotentreceivesUpdate [guid] => https://wikileaksisdemocracy.org/candyman-receives-potent-update-the-pacer/ [description] => Say his name, if you dare. You may be petrified by what you see, or what you?ve unwittingly become. What makes a good horror film? The most rudimentary and obvious element is that it simply must be frightening, but other parts are imperative to reinforce those sturdy scares- artistry concealed behind the buckets of blood ... Read more [content] => Array ( [encoded] =>

Say his name, if you dare. You may be petrified by what you see, or what you?ve unwittingly become.

What makes a good horror film? The most rudimentary and obvious element is that it simply must be frightening, but other parts are imperative to reinforce those sturdy scares- artistry concealed behind the buckets of blood and chilling threats of monsters and ghouls. John Carpenter?s 1978 masterpiece Halloween remains so thrillingly effective because the film understood the deeper ideas that Michael Myers embodied as a specter of pure evil. For all the dagger-wielding and, well, murdering, the crazed killer was an insurmountable force of terror that seemed to always be lurking around the corner, a harbinger of inevitable mortality, which is, understandably, a tough pill to swallow for most people with a pulse and a will to live. An unwavering homicidal maniac is certainly scary, but to be struck with the realization that our days are finitely numbered is downright terrifying.

A rich swirl of slasher mythology wrapped around an allegory for perpetual racial injustice, this 2021 legacyquel may have just found a way to uphold that horror cinema mantra famously demonstrated by the likes of Carpenter. Ignoring the two sequels to the 1991 original of the same name and operating as a direct successor, candy man finds virtuoso co-writer/sophomore director Nia DaCosta (her fantastic debut feature Little Woods is currently on Hulu and very much deserving of your time) and esteemed co-writer/producer Jordan Peele of Get Out and Us fame delivering a potent update that transcends the rote reputations of horror reboots and sequels. It?s a complex web of sophisticated, deftly crafted scares and razor-sharp political commentary that blisters in each exhilarating moment just as much as its pensive thoughts linger far after the credits roll.

Thirty years have passed since the events of the initial film in the now-gentrified Chicago neighborhood of Cabrini-Green, where an apparition known as the Candyman (Tony Todd)- a dismembered, vengeful ghost of an innocent Black man who was lynched by an insidious mob in the late 19th century- had appeared in front of and annihilated with his hooked hand any person who would recite his name five times in a mirror.

Anthony (Yahya Abdul-Mateen II, dependably great), a struggling artist, and his girlfriend Brianna (Teyonah Parris, also dependably great), a gallery curator, move into this notorious neighborhood together, where the very landscape is haunted by both that hidden supernatural entity and the blatant, seemingly untenable effects of systemic oppression. Life-long Cabrini-Green resident William (Colman Domingo, as captivating as ever) imparts the history behind this mysterious legend to Anthony, which stokes his creative fervor once more but also invokes the reappearance of Candyman killings.

Just like its predecessor, this film examines issues that are unfortunately still timely today: police brutality; gentrification; cultural appropriation and the marginalization of minorities, specifically African Americans, in urban areas. Where DaCosta and team find her film?s singular vitality, though, is how they enrich and recontextualize the Candyman concept to reflect the generational trauma of these issues, lensed through the repression and sorrows of her well-rounded characters.

candy man is brimming with ominous atmosphere and enthralling paranoia, but DaCosta and Peele understand the ideas this character represents ? a manifestation of racism?s malice ? leave far more indelible scars than any trite jump scare. A fluid intensity permeates this film, which aligns perfectly with its gradual crystallization of the truth as the story broadens this mythology?s narrative scope while retaining its substance.

DaCosta truly is a visionary, an intellectually perceptive filmmaker more concerned with than anything else the turmoil of the people that occupy her striking frames. With two features under her already-accomplished belt (and more to inevitably come, including the 2022 sequel to Captain Marvel) she has thoroughly demonstrated a knack for lacing her films with both muscular tension and compelling empathy, all pierced by astute observation.

With each haunting, introspective scene, the systems of white supremacy ? both systemically and interpersonally ? are elucidated through a palpably engrossing slasher mystery with feverish style and keen uses of gore. What ensues smartly eviscerates the transgressions of cultural appropriation with an incisive tale of cultural reclamation, culminating in a profound, harrowing conclusion that breeches the screen with a simple statement that bears credence around the globe: ?Go.? Even if some of the outer plot mechanics become vague as it fixates on the specificity of its message, the central thesis is indisputably strong.

One of the most effective horror set pieces in this excellent cinematic spine-tingler takes place in an elevator lined with mirror walls and ceiling. As Anthony finds himself adrift somewhere between the intrigue of fabricated truth and concealed injustice, he sees the titular gothic figure above, plaguing him with his presence. He frenetically gazes to both his sides in terror, his reflection infinitely replicated, the fissures and fractures of his identity visualized with gripping conviction.

candy man isn?t necessarily about physical and emotional violence (and it certainly never glorifies or indulges in it) but the eerie implications and effects of it that seem to reverberate eternally. That is, until we know and make amends with the sheer extent of evil that continues to victimize those in minority, not any sort of entity but the vile systems of oppression that lurk in modern America. It?s both a premonition and cautionary tale that righteously demands our attention, hopefully before a twisted avenging angel claws and jabs at it from a mirror.

Grade: A-

candy man is now available in theaters.

Photo Credit / Universal

Many Thanks To The following Website For This Valuable Content.
?Candyman? receives potent update | The Pacer

) [summary] => Say his name, if you dare. You may be petrified by what you see, or what you?ve unwittingly become. What makes a good horror film? The most rudimentary and obvious element is that it simply must be frightening, but other parts are imperative to reinforce those sturdy scares- artistry concealed behind the buckets of blood ... Read more [atom_content] =>

Say his name, if you dare. You may be petrified by what you see, or what you?ve unwittingly become.

What makes a good horror film? The most rudimentary and obvious element is that it simply must be frightening, but other parts are imperative to reinforce those sturdy scares- artistry concealed behind the buckets of blood and chilling threats of monsters and ghouls. John Carpenter?s 1978 masterpiece Halloween remains so thrillingly effective because the film understood the deeper ideas that Michael Myers embodied as a specter of pure evil. For all the dagger-wielding and, well, murdering, the crazed killer was an insurmountable force of terror that seemed to always be lurking around the corner, a harbinger of inevitable mortality, which is, understandably, a tough pill to swallow for most people with a pulse and a will to live. An unwavering homicidal maniac is certainly scary, but to be struck with the realization that our days are finitely numbered is downright terrifying.

A rich swirl of slasher mythology wrapped around an allegory for perpetual racial injustice, this 2021 legacyquel may have just found a way to uphold that horror cinema mantra famously demonstrated by the likes of Carpenter. Ignoring the two sequels to the 1991 original of the same name and operating as a direct successor, candy man finds virtuoso co-writer/sophomore director Nia DaCosta (her fantastic debut feature Little Woods is currently on Hulu and very much deserving of your time) and esteemed co-writer/producer Jordan Peele of Get Out and Us fame delivering a potent update that transcends the rote reputations of horror reboots and sequels. It?s a complex web of sophisticated, deftly crafted scares and razor-sharp political commentary that blisters in each exhilarating moment just as much as its pensive thoughts linger far after the credits roll.

Thirty years have passed since the events of the initial film in the now-gentrified Chicago neighborhood of Cabrini-Green, where an apparition known as the Candyman (Tony Todd)- a dismembered, vengeful ghost of an innocent Black man who was lynched by an insidious mob in the late 19th century- had appeared in front of and annihilated with his hooked hand any person who would recite his name five times in a mirror.

Anthony (Yahya Abdul-Mateen II, dependably great), a struggling artist, and his girlfriend Brianna (Teyonah Parris, also dependably great), a gallery curator, move into this notorious neighborhood together, where the very landscape is haunted by both that hidden supernatural entity and the blatant, seemingly untenable effects of systemic oppression. Life-long Cabrini-Green resident William (Colman Domingo, as captivating as ever) imparts the history behind this mysterious legend to Anthony, which stokes his creative fervor once more but also invokes the reappearance of Candyman killings.

Just like its predecessor, this film examines issues that are unfortunately still timely today: police brutality; gentrification; cultural appropriation and the marginalization of minorities, specifically African Americans, in urban areas. Where DaCosta and team find her film?s singular vitality, though, is how they enrich and recontextualize the Candyman concept to reflect the generational trauma of these issues, lensed through the repression and sorrows of her well-rounded characters.

candy man is brimming with ominous atmosphere and enthralling paranoia, but DaCosta and Peele understand the ideas this character represents ? a manifestation of racism?s malice ? leave far more indelible scars than any trite jump scare. A fluid intensity permeates this film, which aligns perfectly with its gradual crystallization of the truth as the story broadens this mythology?s narrative scope while retaining its substance.

DaCosta truly is a visionary, an intellectually perceptive filmmaker more concerned with than anything else the turmoil of the people that occupy her striking frames. With two features under her already-accomplished belt (and more to inevitably come, including the 2022 sequel to Captain Marvel) she has thoroughly demonstrated a knack for lacing her films with both muscular tension and compelling empathy, all pierced by astute observation.

With each haunting, introspective scene, the systems of white supremacy ? both systemically and interpersonally ? are elucidated through a palpably engrossing slasher mystery with feverish style and keen uses of gore. What ensues smartly eviscerates the transgressions of cultural appropriation with an incisive tale of cultural reclamation, culminating in a profound, harrowing conclusion that breeches the screen with a simple statement that bears credence around the globe: ?Go.? Even if some of the outer plot mechanics become vague as it fixates on the specificity of its message, the central thesis is indisputably strong.

One of the most effective horror set pieces in this excellent cinematic spine-tingler takes place in an elevator lined with mirror walls and ceiling. As Anthony finds himself adrift somewhere between the intrigue of fabricated truth and concealed injustice, he sees the titular gothic figure above, plaguing him with his presence. He frenetically gazes to both his sides in terror, his reflection infinitely replicated, the fissures and fractures of his identity visualized with gripping conviction.

candy man isn?t necessarily about physical and emotional violence (and it certainly never glorifies or indulges in it) but the eerie implications and effects of it that seem to reverberate eternally. That is, until we know and make amends with the sheer extent of evil that continues to victimize those in minority, not any sort of entity but the vile systems of oppression that lurk in modern America. It?s both a premonition and cautionary tale that righteously demands our attention, hopefully before a twisted avenging angel claws and jabs at it from a mirror.

Grade: A-

candy man is now available in theaters.

Photo Credit / Universal

Many Thanks To The following Website For This Valuable Content.
?Candyman? receives potent update | The Pacer

[date_timestamp] => 1634872145 ) ) [channel] => Array ( [title] => wikileaksisdemocracy [link] => https://wikileaksisdemocracy.org [lastbuilddate] => Fri, 22 Oct 2021 03:40:09 +0000 [language] => en-US [sy] => Array ( [updateperiod] => hourly [updatefrequency] => 1 ) [generator] => https://wordpress.org/?v=5.8.1 [tagline] => ) [textinput] => Array ( ) [image] => Array ( ) [feed_type] => RSS [feed_version] => 2.0 [encoding] => ISO-8859-1 [_source_encoding] => [ERROR] => [WARNING] => [_CONTENT_CONSTRUCTS] => Array ( [0] => content [1] => summary [2] => info [3] => title [4] => tagline [5] => copyright ) [_KNOWN_ENCODINGS] => Array ( [0] => UTF-8 [1] => US-ASCII [2] => ISO-8859-1 ) [stack] => Array ( ) [inchannel] => [initem] => [incontent] => [intextinput] => [inimage] => [current_namespace] => [last_modified] => Fri, 22 Oct 2021 03:49:17 GMT [etag] => jz273V2Lfm8HWbIogducmPRKx+s )